The Paradigm Case: The Cinema of Hitchcock and the Contemporary Visual Arts

With the migration of cinema into the art gallery, artists have been turning, with remarkable regularity and ingenuity, to Alfred Hitchcock-related images, sequences and iconography.\n\nThe world of Hitchcock�s cinema � a classical cinema of formal unities and narrative coherence � represents more than the spectre of a supposedly dead art form: it transcends its own filmic and institutional contexts, becoming an important audio-visual lexicon of desire, loss, mystery and suspense.Through a detailed study of the Hitchcock-related work of artist-filmmakers Matthias M�ller and Christoph Girardet, Johan Grimonprez, Pierre Huyghe, Douglas Gordon and Atom Egoyan, this book facilitates a dialogue between the creative appropriation of Hitchcock�s films and the cinematic practices that increasingly inform the wider field of the contemporary visual arts. Each chapter is structured around a consideration of how the artwork in question has reconfigured or �remade� key Hitchcockian expressive elements and motifs � in particular, the relationship between mise en sc�ne and the mechanics of suspense, time, memory, history and death. In a career that extended across silent and sound eras as well as the British, European and Hollywood industries, Hitchcock�s film �uvre can be seen as a history of the cinema itself. As the work of these contemporary artist-filmmakers shows, it was also a history of the future, a paradigm case par excellence. Additional ISBNs 9783034317801, 9783035307504, 3034317808, 3035307504The Paradigm Case: The Cinema of Hitchcock and the Contemporary Visual Arts 1st Edition is written by Bernard Mc Carron and published by Peter Lang AG, Internationaler Verlag der Wissenschaften. ISBNs for The Paradigm Case are 9783035398137, 3035398135 and the print ISBNs are 9783034317801, 3034317808. Additional ISBNs include 3034317808, 3035307504, 9783034317801, 9783035307504.